International Museum Day |Free Admission
Free Admission to the exhibition on the 150th anniversary of the Drama Society in Ljubljana
About the Roads to »The Grandest Invention of Human Spirit*« in Slovenia Milestones in the Development of the Drama Society in Ljubljana
The Drama Society in Ljubljana (founded in 1867) was the initiator of the Slovenian theatre of modern age – the foundation of the Society was the beginning of the institution and professionalization of Slovenian theatre. In its development from 1867 to 1920 it negotiated a fifty-year long road through the period of institutionalisation and professionalization of the Slovenian theatre, finishing it in 1920 with the advent of a new development stage; i.e., Europeanisation (1920–1945). The exhibition is focused on the first fifty years of the Drama Society’s activity, shedding light on the important and decisive milestones of its development. Before the first milestone there was the general atmosphere in the beginning of the second half of the 19th century among the Slovenian intellectuals, which indicated, that Slovenes needed their own national theatre. This contextual development can be traced back to the dialogue between the father and the son in Trubar’s Abecedarium, the theatre of Jesuits and Capuchins, to Linhart followed by Drabosnjak, and parallel to this the touring Innsbruck comedians, Italian opera singers and 100 years of German theatre tradition in this territory (established in 1765). A great example was set by Anton Tomaž Linhart as the pioneer of the Slovenian theatre of modern era and the early predecessor of the Drama Society. All these elements, together with general theatrical examples, the influences of time (observed in larger nations) and the Spring of Nations (1848) fostered among Slovenes the awareness of the necessity of having a national theatre. The exhibition provides evidence and arguments for twelve significant progressive phenomena in the development of the Drama Society – from the rudimentary origins of the Society during Metternich and Bach absolutism (1848 to 1851) to the formation of the Slovenian theatre as a public institution and the beginning of its Europeanisation (1920).
The illustration material includes manuscripts, portraits of meritorious originators of the Drama Society and the theatre people of the time, theatre reviews, posters and flyers, old photographs and postcards, relevant books of that time, models of two most important theatres, etc. Texts at the exhibition are both in Slovenian and English language.
* Josip Nolli’s definition of theatre from his Handy Book for Theatre Dilletants.
