Rivalry has always been a spur to creativity as well
as a means of forging an artist’s reputation. Only
when art became a matter of wider prestige, and the
names of artists were considered worthy of record,
could they begin to enjoy a reputation beyond the
local sphere, and only then could the serious business
of competition with contemporaries and across
generations begin. Since then the history of art has
been dominated by celebrated rival reputations
– between Leonardo and Michaelangelo, Manet
and Monet, Matisse and Picasso, Magritte and Dali,
Hockney and Freud. So what is reputation, and is
rivalry necessary to maintain it? This course explores
the stories behind some of the most famous artistic
rivalries, and how they have helped build and demolish
reputations from the Early Renaissance to Modernism.
It will explain why competition has been fostered by
patrons and academies and why commentators on the
arts have shaped our image of the artist as brand. It
will show how fame, personal envy, the clash between
the old and the new, even the Media-manufactured
reputations of today have transformed art through
conflict and emulation.
Suitable for
Admission
£530, £450 concessions
Website
http://www.vam.ac.uk/whatson/event/3427/artistic-rivalries-and-reputations-renaissance-to-modern-4886/
Source: http://www.culture24.org.uk//se000168?id=EVENT491807
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